Reviews

"The ballet is still in development, but already it carries the promise of something rare: a work that is both exquisitely crafted and unafraid to engage with the world it inhabits.." Signal-30 - Olivia Weeks , Dance Australia

Read full article about Signal-30 development here.

"A “Genesis” veteran, Voss once again has channelled the raw power, precision and inspirational energy of her all-female cast." The Nymphs of Diana - Kim Balfour , SeeSaw magazine

"The evening began with The Nymphs of Diana by Claire Voss, who continues to portray the power of women through dance, following on from her creative involvement in Concerto Impertinente! as part of Ballet at the Quarry earlier this year. Looking fierce with Lara Croft-style braids in their hair, the gutsy all-female cast of five move with electric precision through lightning speed turns and quick intricate arm movements, set to music by Yoann Lemone (Woodkid)."

- Isabelle Leclezio, Dance Australia

"With a slightly delayed premiere, the performance was worth the wait. Featuring the combine choreographic talents of Nikki Blain, Chihiro Nomura, Kiki Saito, and Claire Voss – West Australian Ballet’s Sandy Delasalle aids these talented dancers with interweaving their works into one mastery – with glitz, glam, and grace.

Concerto Impertinente! comes from the Italian “impertinent concert”, and heralds women crossing boundaries to live unapologetically in an elegant display of modern feminism. This piece is a neo-classical favourite, highlighting the German composer, Felix Mendelssohn, with complimentary minimalist choreography, and costuming that unites the performers with pride, boldness, and gravitas." - Joshua Hall Haines , Out In Perth

“The proximity amplifies the experience… the clean and graceful lines of Claire Voss’s Beyond What Really Matters… Ode to Marie Jeanne.” - Nina Levy, Seesaw Magazine